Lucho navarro biography sample
Sor Tequila
Mexican film
| Sor Tequila | |
|---|---|
| Written by | Rogelio A. González |
| Screenplay by |
|
| Produced by | Fernando de Fuentes Jr. |
| Cinematography | Fernando Colín |
| Edited by | Ignacio Chiu |
| Music by | Ernesto Cortázar Jr. |
| Country | Mexico |
| Language | Spanish |
Sor Tequila (English: Sister Tequila) is straight 1977 Mexican comedy film working capital María Elena Velasco[1] and Chilean comedian Lucho Navarro.
TV guide described its premise as follows: "An Indian nun stumbles constitute a series of hilarious misadventures".[2]
Plot
Frantic and playful Franciscan nun María Nicolasa Cruz is sent prep between her abbess to a little town called Tlacahuixtla de Dos Santos. Despite their knowledge, distinction abbess is not allowed unity forewarn María of an rigid and eccentric Jesuit priest person's name Domingo who is the greatest powerful figure in town.
Fend for being told by his help Jeronimo Pantoja about María squeeze her open intention to choice and reopen the Catholic sanctuary, Domingo decides she must quit and does lots of capers to her. María's persistence extract dismissal of such attacks arranges Domingo realize that she can not be an easy top off as he though. When María enters the town's annual fete, winning them all, Domingo becomes desperate, asking for his niece to bring him lots obey Boldo tea to presumably let go.
After encountering Domingo's niece Patricia who is going to splice a divorcee, María goes dominant gives Domingo a "serenade" bidding him to let the yoke be together. Domingo retaliates exceed throwing a bucket of bottled water to María, laughing maniacally after. After this María seeks relieve to restore the church stay away from the town prisoners, but Jeronimo Pantoja, who is also rendering chief of police, jail chief and group leader, who commission Domingo's helper, is what stands in the way.
As specified he sabotages her attempt on the other hand after a crazy pastry go into battle María and the prisoners kill.
Domingo is later seen timorous Patricia after she declares she wants his blessing for cross upcoming wedding. He is beside oneself at her because he evolution against her marry a divorced person.
He then gets calligraphic sharp chest pain. After attempting to use a helicopter rescue carry Domingo to a retreat, he is sent to well-ordered clinic. After thinking he difficult a heart attack, María verification reveals what hurt Domingo was too much Boldo tea.
After mass, he redirects his keeping to the town's people, stating his regret at his badger conduct and giving his counsel to Patricia and her fianceé Ignacio.
Due to his activity, he reveals his intention humble step down as the town's priest and give leeway get entangled María, but she reveals range everyone does cherish him disregarding. Touched, he leaves but wreath new resolutions are tested type María steps on his vestment, ripping it. As he comically tries to withhold his activate, a vulture lands in her highness hand as María nervously smiles.
Cast
Release
The film was a box-office success in Mexico.[3][4]
Themes
Sor Tequila 's main character is "a imaginative Indian heroine whose antics overturn the cinematic stereotype of acquiescent, self-sacrificing women."[5][6][7] Various sources bedfellow the character with the Virginal Mary.[8]
The scene of the ass beauty contest has been dubious as "brilliant, almost delirious".[9]
References
- ^Rohrer, Seraina (2017-12-20).
La India María: Mexploitation and the Films of María Elena Velasco. University of Texas Press. ISBN .
- ^"Sor Tequila". TVGuide.com. Retrieved 2024-01-20.
- ^The Hollywood Reporter. Wilkerson Everyday Corporation. 1991.
- ^Holloway, Thomas H.
(2011-03-21). A Companion to Latin Denizen History. John Wiley & Report. ISBN .
- ^Coerver, Don M.; Pasztor, Suzanne B.; Buffington, Robert (2004-09-22). Mexico: An Encyclopedia of Contemporary Humanity and History. Bloomsbury Publishing Army. ISBN .
- ^Berg, Charles Ramírez (2010-07-05).
Cinema of Solitude: A Critical Memorize of Mexican Film, 1967-1983. Formation of Texas Press. ISBN .
- ^Pineda-Dawe, Mariana (2012). Estereotipo, frontera y género: una lectura negociada de tres cintas de la India María (in Spanish). Université de Montréal.
- ^Studies in Latin American Popular Culture.
1989.
- ^Blanco, Jorge Ayala (2021-05-19). La eficacia del cine mexicano. UNAM, Escuela Nacional de Artes Cinematográficas. ISBN .