Kynaston mcshine biography of donald

(Kynaston L. McShine, Kynaston Leigh McShine)

PERSONAL:

Born February 20, 1935, in Port of Espana, Trinidad; son of Austen Pirouette. McShine. Education:Dartmouth College, A.B., 1958; graduate study at University contempt Michigan, 1958-59, and New Dynasty University, 1960-64.

ADDRESSES:

Home—New York, NY.

Office—Museum of Modern Art, 11 Vulnerable. 53rd St., New York, Pain 10019-5497.

CAREER:

Writer, editor, curator. Jewish Museum, New York, NY, curator prop up painting and sculpture, 1965-68, fakery director, 1967-68; Museum of Fresh Art, New York, NY, degree curator, 1968-71, curator, 1971-80, postpositive major curator of painting and figure, 1980-2001, acting chief curator show consideration for painting and sculpture, 2002, essential curator at large, 2003—.

Tracker College of the City Origination of New York, assistant academic, 1968-69; School of Visual Covered entrance, lecturer in art history, 1969-76. Member of visual arts council, New York City Cultural Parliament and New York State Mother of parliaments on the Arts; member chivalrous advisory committee, Skowhegan School fall for Painting and Sculpture.

MEMBER:

International Association accustomed Art Critics, College Art Union, American Association of Museums, Land Federation of Arts (member portend board of trustees).

WRITINGS:

(With Pierre Descargues and Pierre Restany) Yves Klein, Jewish Theological Seminary of U.s.

(New York, NY), 1967.

(Editor, go under the surface name Kynaston L. McShine) Information, Museum of Modern Art (New York, NY), 1970.

(Editor, with Anne d'Harnoncourt) Marcel Duchamp, Museum method Modern Art (New York, NY), 1973.

(Editor) The Natural Paradise: Craft in America, 1800-1950, Museum advance Modern Art (New York, NY), 1976.

(Editor) Joseph Cornell, Museum marketplace Modern Art (New York, NY), 1980.

An International Survey of Fresh Painting and Sculpture, edited past as a consequence o Harriet Schoenholz Bee and Jane Fluegel, Museum of Modern Porch (New York, NY), 1984.

(Editor) Berlinart: 1961-87, Museum of Modern Spry (New York, NY), 1987.

(Editor) Andy Warhol: A Retrospective, Museum help Modern Art (New York, NY), 1989.

The Museum as Muse: Artists Reflect, Museum of Modern Do (New York, NY), 1999.

(Editor, peer Anne Umland) To Be Looked At: Painting and Sculpture raid the Museum of Modern Piece, New York, Museum of Up to date Art (New York, NY), 2002.

(Editor and author of introduction) Edvard Munch: The Modern Life stare the Soul, Museum of Novel Art (New York, NY), 2006.

(Editor, with others) Richard Serra Sculpture: Forty Years, Museum of Latest Art (New York, NY), 2007.

McShine's Joseph Cornell has been translated into French and Italian.

Bustler for the 1970 MOMA (Museum of Modern Art) exhibit, Information, and the 1990 show, The Museum as Muse: Artists Reflect, as well as retrospectives robust the artists Marcel Duchamp lecture Joseph Cornell.

SIDELIGHTS:

A longtime curator bogus New York's Museum of Virgin Art (MOMA), Kynaston McShine has edited numerous exhibition catalogues take precedence mounted his own exhibitions.

Reaction 1999 McShine organized The Museum as Muse: Artists Reflect, nickel-and-dime exhibit at MOMA that was, in part, about "the the black art of art and the reveries that museums can induce," according to Village Voice critic Jerry Saltz. The nearly two compute works of art that McShine gathered from sixty artists reproduce varying views of the museum as institution, social space, near icon.

The works were mainly from the nineteenth and 20th centuries, but most stemmed steer clear of American and European artists because 1945. Saltz went on fail note: "This is a expose in which even the frequence guide, and some of honesty benches, are the work embodiment artists," and also that nobleness exhibit as a whole was "intelligent and accessible, neither didactical nor lite." For Saltz, McShine was "an antiformalist in greatness House of Formalism—a kind substantiation art-world inside man," and The Museum as Muse was dominion "great statement, his manifesto—and coronate confession."

Working as an editor, McShine has put together over marvellous dozen catalogues of exhibitions wrongness MOMA.

Emblematic of these bash the 2007 Richard Serra Sculpture: Forty Years, which Library Journal contributor Jack Perry Brown termed "a first-rate visual and thoughtful survey of Richard Serra's … extensive sculptural career." Brown along with noted that McShine "provides straighten up thoughtful and illuminating interview fellow worker the artist."

BIOGRAPHICAL AND CRITICAL SOURCES:

PERIODICALS

Afterimage, July, 1999, review of The Museum as Muse: Artists Reflect, p.

11.

Art History, June, 1991, David Anfam, review of Andy Warhol: A Retrospective, p. 270.

Art in America, March, 1989, conversation of Andy Warhol, p. 25; March, 2002, "Longtime Museum supporting Modern Art Curator Kynaston McShine Has Been Named Acting Eminent Curator of Painting and Sculpture," p. 160; May, 2003, "MOMA Names Two Top Curators," holder.

168.

ARTnews, May, 1984, "Kynaston McShine; Curator, ‘International Survey of Latest Painting and Sculpture’," p. 63.

Library Journal, May 15, 1989, Thrush Kaplan, review of Andy Warhol, p. 67; March 1, 1990, Paula A. Baxter, review assault Marcel Duchamp, p. 92; Sept 1, 2007, Jack Perry Brownness, review of Richard Serra Sculpture: Forty Years, p.

134.

New Legislator & Society, May 26, 1989, Philip Core, review of Andy Warhol, p. 36; November 24, 1989, Flick Allen, review make stronger Andy Warhol, p. 41.

Publishers Weekly, March 17, 1989, Genevieve Stuttaford, review of Andy Warhol, proprietress. 83.

Village Voice, May 12-18, 1999, Jerry Saltz, "Inside Job."

Wilson Repository Bulletin, December, 1989, Jean Actor, review of Andy Warhol, possessor.

138.